1971 Montreux Special

1971 Montreux Special (reused material)

• Sinfonia Antartica, Mvt. I (1952) Ralph Vaughan Williams [perf. London Philharmonic Orchestra cond. Sir Adrian Boult, 1966 album “Sinfonia Antartica” (Ace of Clubs ACL 291)] (‘Scott of the Sahara’)
• Aggression (1969) Eric Towren [perf. International Studio Orchestra cond. Eric Towren, 1968 album “Hemisphere” (Sylvester SMC/LP 514)] (Scott vs. the lion)
• Sinfonia Antartica, Mvt. V (1952) Ralph Vaughan Williams [perf. London Philharmonic Orchestra cond. Sir Adrian Boult, 1966 album “Sinfonia Antartica” (Ace of Clubs ACL 291)] (Miss Evans vs. the writing desk)
• The Liberty Bell (1893) John Philip Sousa [perf. Band of the Grenadier Guards cond. Rodney Bashford, 1967 album “Sousa Marches” (Decca PFS 4134)] (Titles)
• Time Marches On (1965) Jack Shaindlin [1965 album “Main Titles and Openers” (Cinemusic CMR 201)] (‘Face the Press’)
• Warm Hands (1965) Rudi Bauer [perf. Walt Peters & His Orchestra, 1965 album (Mozart Edition ME.LP07)] (Minister’s dress)
• Epic Title (1965) Jack Shaindlin [1965 album “Main Titles and Openers” (Cinemusic CMR 201)] (New Cooker Sketch)
• Blue Christina (1967) Henri Renaud, Robert Hermel [1967 album “Mini-Skirt” (De Wolfe DW/LP 3047)] (Nude woman in animation)
• Under the Double Eagle (1893) Joseph Franz Wagner; arr. in medley “March Selection” (c.1920s-50s) August Schollaert [sped up, perf. Giant Hooghuy Shaharazad, 1969 album “Pride of the Ride in Stereo” (Marble Arch MALS 1149)] (Conrad Poohs and His Dancing Teeth)
• Blue Christina (1967) Henri Renaud, Robert Hermel [1967 album “Mini-Skirt” (De Wolfe DW/LP 3047)] (“I much prefer this channel”)
• Études Op. 10, No. 9 (1829) Frédéric Chopin [perf. Tamàs Vàsàry, 1965 album “Frédéric Chopin - Études Op. 10 · Op. 24” (Deutsche Grammophon 136 454)] (‘It’s the Arts’)
• The World Turns (1968) Len Stevens [1968 album (Conroy BMLP 043)] (‘The Semaphore Version of Wuthering Heights’)
• Ceremonial March No. 1 (1967) John Reids [perf. International Studio Orchestra cond. Jack Trombey, 1967 album “The Power Game” (De Wolfe DW/LP 2988)] (‘Julius Caesar on an Aldis Lamp’)
• ? (“And now, the exploding version of ‘The Blue Danube’”)
• The Blue Danube (1866) Johann Strauss II [perf. Orchestre du Théâtre de Variétés de Londres cond. Thomas Hughes, album “Grandes Valses de Johann Strauss” (Saga STM 6025)] (Exploding version of ‘The Blue Danube’)
• Études Op. 10, No. 9 (1829) Frédéric Chopin [perf. Tamàs Vàsàry, 1965 album “Frédéric Chopin - Études Op. 10 · Op. 24” (Deutsche Grammophon 136 454)] (‘It’s the Arts’)
• Symphony No. 5, Mvt. I (1804-08) Ludwig van Beethoven [perf. Berlin Philharmoniker cond. Herbert von Karajan, 1964 album “Symphonie No 5 et un minuer” (Deutsche Grammophon DGG 138.804)] (Exploding radio)
• Ding Dong! Merrily on High (1589) Thoinot Arbeau (orig. ‘Branle de l’official’), lyr. (1924) George Ratcliffe Woodward; arr. (c.1969) David Wilcocks [perf. Choir of King’s College, Cambridge cond. David Wilcocks, 1969 album “Carols From King’s” (EMI/HMV CSD 3661)] (Mr. Rogers)
• Cockney Song (1966) John Matthews (Baker) [1966 album “Laughter-Makers / Silent Film Music” (JW 381)] (Silly walk film)
• La Marseillaise (1792) Claude Joseph Rouget de Lisle [gradually sped up, unidentified recording] (La Marche Futile)
• Grazing Land (1966) Jack Shaindlin [1966 album “Light Scenic & Pastorale / Heavy Scenic” (Cinemusic CMR 311)] (Caterpillar man)
• Culver City Title (1966) Jack Shaindlin [1966 album “Signatures and Themes / Inspirational and Romantic Themes” (Cinemusic CMR 301)] (Butterfly man)
• Bright Lights (1968) Sam Fonteyn [perf. International Studio Orchestra, 1968 album “New World” (De Wolfe DW/LP 3100)] (‘Blackmail’)
• *Nude Organist Fanfare 1a (1970) Terry Gilliam [perf. Terry Gilliam] (Nude Organist)
• *Nude Organist Fanfare 1b (1970) Terry Gilliam [perf. Terry Gilliam] (Nude Organist)
• Roving Report No. 2 (1968) Jack Trombey [perf. International Studio Orchestra, 1968 album “Roving Report” (De Wolfe DW/LP 3093)] (‘Stop the Film’)
• Drum Majorette (1959) Leslie Statham [perf. Queen's Hall Light Orchestra, 1959 album “Intros and Finales” (Chappell C.643)] (‘Match of the Day’)
• Song of the Surf (1948) G.S. English [perf. Queen's Hall Light Orchestra cond. Robert Farnon, 1948 album (Chappell C.340)] (Romantic interlude)
• The Liberty Bell (1893) John Philip Sousa [perf. Band of the Grenadier Guards cond. Rodney Bashford, 1967 album “Sousa Marches” (Decca PFS 4134)] (End credits)